Full Journal Download
View Online
Articles:
- ‘Introduction’, Elizabeth Parker and Michelle Poland
- ‘Gothic Nature Revisited: Reflections on the Gothic of Ecocriticism’, Tom J. Hillard
- ‘Theorising the EcoGothic’, Simon C. Estok
- ‘“Don’t be a Zombie”: Deep Ecology and Zombie Misanthropy’, Kevin Corstorphine
- ‘Children of the Quorn: The Vegetarian, Raw, and the Horrors of Vegetarianism’, Jimmy Packham
- ‘A Stern, a Sad, a Darkly Meditative, a Distrustful, if not a Desperate Man, Did He Become, from the Night of that Fearful Dream’: Nathaniel Hawthorne’s Nocturnal Gothic’, Sarah Cullen
- ‘”On the Border Territory Between the Animal and the Vegetable Kingdoms”: Plant-Animal Hybridity and the Late Victorian Imagination’, Marc Ricard
- ‘EcoGothic, Ecohorror and Apocalyptic Entanglement in Alan Moore and Dave Gibbons’ Tales of the Black Freighter’, James L. Smith and Colin Yeo
- ‘The Value(s) of Landscape: The Sublime, the Picturesque, and Ann Radcliff’, Garland D. Beasley
- ‘”Monkey-Advice and Monkey-Help”: Isak Dinesen’s EcoGothic’, Peter Mortensen
Book Reviews:
Criticism:
- ‘Dawn Keetley and Matthew Wynn Sivils, ed.: Ecogothic in Nineteenth-Century American Literature’, Elizabeth Parker
- ‘Graham Harman: Object-Oriented Ontology: A New Theory of Everything’, Marlee Fuhrmann
- ‘Timothy Morton: Being Ecological’, Eric Heyne
- ‘Adam Scovell: Folk Horror: Hours Dreadful and Things Strange’, Ken Duffy
- ‘Lee Gambin: Nope, Nothing Wrong Here: The Making of Cujo’, Daniel Otto Jack Petersen
- ‘Anna Tsing, Heather Swanson, Elaine Gan, and Nils Bubandt (eds.): Arts of Living on a Damaged Planet: Monsters/Ghosts of the Anthropocene’, Alyssa Quintanilla
- ‘Simon C. Estok,: The Ecophobia Hypothesis’, Rick Hudson
TV and Film Reviews:
- ‘Annihilation Roundtable Review’, Sara L. Crosby, Andy Hageman, Dan Platt, Ali Sperling, Shannon Davies.
- ‘The Rain’, Rebecca Gibson
- ‘Caged by Frail and Fragile Bonds: A Review of Michael Pearce’s Beast’, Isaac Rooks
- ‘Plumbing the Depths: Ozark as Rural Gothic’, Amanda Hagood
- ‘Muscles and Spells: Violent Transcendence in AMC’s The Terror’, Ian Green
- ‘Girl Meets Shark: From The Shallows (2016) and 47 Meters Down (2017) to The Meg (2018)’, Karen Renner
- ‘Siren Sisters: Feminist Mermaid Ecohorror in Agnieszka Smoczyńska’s The Lure (2017)’, Kristen Angierski
- ‘“We’re not the only animals in the woods”: The Ritual (2017)’, Caitlin Duffy
- ‘A Libertarian’s House Cannot Stand: Trey Edward Shults, It Comes at Night’, Khara Lukancic